Hops and Box Office Flops

Episodes 3 & 4 of Game of Thrones' Final Season – I Drink and He Knows Things

Caution: This brief podcast is dark and full of spoilers.
Capt. Cash and I (@Writer: TLK) break down the third (The Long Night) and fourth (The Last of the Starks) episodes of Game of Thrones‘ final season, offering our overall impressions, posing lingering questions we may have, and speculating wildly on what’s to come.
Enjoy the show? Check out all of my reviews for the episodes so far.
Episode 1 – The Dragon and the Wolf
Episode 2 – A Knight of the Seven Kingdoms
Episode 3 – The Long Night
Episode 4 – The Last of the Starks
And be sure to let us know your thoughts on all the happenings in Westeros—the intrigue, the politicking, and the conflict—by hitting us up on our twitter, @HopsandBOFlops.

Mortal Kombat: Annihilation – A Koin-Op Kalamity

For years, Hollywood has struggled in vain to crack the code of translating popular video games to film. Most simply have not worked at all. Worse, they’ve also failed to pay their due respect to the property that inspired them.
Neither Mortal Kombat movie has that issue. The first—which is vastly superior, even if it does have its own set of problems—represented the game in a way that most felt was fair. It was less violent, to be sure, but there was almost not way it wouldn’t be. The follow up, Mortal Kombat: Annihilation, was unsuccessful in more profound ways.
Like most video game adaptations, Annihilation is just awful. Literally. Quite frankly, it doesn’t understand what to do with the vast source material. In a way, that’s understandable. The Mortal Kombat mythos is as deep as the “Krypt” of goodies to be mined in the latest installment of the game. Moreover, it’s pretty damn weird.
On the surface, it centers around a fighting tournament for the fate of the world. Dig a little deeper and all manner of colorful characters and locales exists within its framework. Thus, when Annihilation set its sights on bringing the plot of the third game to the big screen, it was biting off far more than it could chew.
And the result is an unsightly hodgepodge. They stuffed the majority of the game’s roster into a paltry run-time and opted to make the movie’s major MacGuffin a gameplay quirk that nobody necessarily liked all that much. Its overabundance of characters led to myriad of other issues—from cheap, flimsy looking costumes to half-baked effects to a narrative that meanders like the shambling corpse of a weary, soulless inhabitant of the Netherrealm. It was truly a dead on arrival dud, grossing $70 million less worldwide than the original
Yet none of that means you shouldn’t watch it. In fact, some of it may be a selling point. So sit back, put on some of Litefoot’s (Nightwolf) greatest hits, grab a bubbly Outworld Ale, and enjoy as I, the Thunderous Wizard (@WriterTLK), and the Irate Lover uppercut, sweep, and bicycle kick our way through a horde of shirtless, backflipping henchmen.
This Week's Segments:
Introduction – Our general reaction to the film and lingering questions we have. (00:00)
“Am I full of s**t or not?” – The Irate Lover attempts to debunk or confirm facts I discovered while investigating the interwebs. (34:57)
Video Game Films We’d Love to See – We discuss the video games we’d love to see adapted to film. Some of our answers may surprise you. (53:56)
Upgrade/Downgrade – We assess whether the roles that had to be recast were better or worse than the previous film. (1:05:30)
Six Degrees of Movie Separation & Recommendations (Or Lack Thereof) – Can I again connect two actors in six degrees or less? (1:07:41)
*Thrones Talk – We dive into the second episode of the final season of Game of Thrones. (1:15:03)
*This segment is dark and full of spoilers.
And, as always, hit us up on Twitter (@HopsandBOFlops) to check out all the interesting factoids—the mysterious, never to be seen Quan Chi scene and more—from this week’s episode!

Episode 2 of Game of Thrones' Final Season – I Drink and He Knows Things

Each week, Capt. Cash and I (@WriterTLK) will convene to unite the Seven Kingdoms, breaking down each episode of Game of Thrones' final season.
In our kickoff episode (because the one covering the premiere of the season warged into another internet somewhere), we tackle A Knight of the Seven Kingdoms, offering our impressions of the episode, posing lingering questions we may have, and speculating wildly on what's to come.
Some topics we covered:
Our ongoing consternation over the mystery of the Three-Eyed Raven.
Who will live through episode 3 and who will join the Night King's horde.
And the meaning (perhaps foreshadowing) behind the song Jenny of Oldstones, sung so delightfully by Podrick.
Is the crypt truly safe? I think we're going to find out.
So sit back, grab some mead or wine or whatever tickles your fancy, and join Tyrion's circle of frivolity! I mean, why not? The Night King is going to kills us all anyway!

Sudden Death – Absurdity Goes Into Overtime

In 1988, Die Hard—a story of an off-duty cop tasked with seemingly insurmountable circumstances—was released to both commercial and critical acclaim. Though it featured a relative unknown (at the time) Bruce Willis, the film went on to gross over $140 million on a budget under $30. Aside from is wild success, its lasting impact was the template it set. It was an incredibly simple formula; and Hollywood execs—who are never afraid of running an idea into the ground—knew it. 
Thus, Die Hard clones hit cinemas nearly every year, and they came in all shapes and sizes. We had Die Hard on a boat (Under Siege, October of 92); Die Hard on a plane (Passenger 57, November of 92); even Die Hard on a bus (Speed, June of 94).
To be fair, two of the above were mega hits, Passenger 57 notwithstanding. As these things generally go, though, there tends to be a law of diminishing returns, so when Sudden Death checked its way into theaters in December of 1995, things didn’t quite go according to plan. Costing $35 million to make, it tanked stateside, earning just above $20. It did fare better overseas, but it remains illustrative of the point that not all films about Person A, in location B, fighting terrorist C were bound for box office domination.
Despite that, this film holds a special place in my heart. An unabashed rip-off of John McClane’s perilous adventure in Nakatomi Plaza, Sudden Death substitutes LA for Pittsburgh and a skyscraper for ‘the Igloo,’ the Civic Arena—once home to my beloved Penguins. That simple swap of locales alone is enough for it to stand apart; everything in between makes it that much better.
The film is a love letter to the Penguins franchise (perhaps unintentionally, but it was written by the wife of the owner at the time). Large portions of it were filmed in the arena, the game within the film is called by the actual Penguins announcers, Mike Lange and Paul Steigerwald, and it features cameos from a couple of players. I mean, Jeff Jimerson, the team’s National Anthem singer, even appears in this thing!
This movie literally nails the hat trick of elements to make an awesome action movie. Feature the Penguins: check. Include copious amounts of obscene action sequences: check. And have a smarmy, over-the-top villain who you can’t wait for the hero to kick the snot out of: check!
So sit back, grab a frosty Iron City Light, and enjoy as I, the Thunderous Wizard (@WriterTLK), and the Irate Lover prepare to strap on our skates and punch out ornery mascots.
This Week's Segments:
Introduction – Our general reaction to the film and lingering questions we have. (00:00)
“Am I full of s**t or not?” – The Irate Lover attempts to debunk or confirm facts I discovered while investigating the interwebs. (33:20)
*Recasting Sudden Death – We recast this amazing film, replacing all the major roles with characters from Game of Thrones. (43:52)
*There are spoilers from earlier seasons of GoT.
Six Degrees of Movie Separation & Recommendations – The Irate Lover gives me two actors, and I must connect them in six degrees or less. (50:18)
*Thrones Talk – We dive into the final season of Game of Thrones, offering wild speculation on what lies ahead and discussing the best characters from the books who never appeared on the show. (1:07:45)
*This segment is dark and full of spoilers.
And, as always, hit us up on Twitter (@HopsandBOFlops) to check out all the interesting factoids—the 20-year oral history, which includes the story behind Van Damme’s immaculate glove save, and more—from this week’s episode!

Suburban Commando – Not Even Hulk Hogan Skateboarding in Zubaz Could Save This Movie

Few wrestlers have transcended the sport of professional wrestling. Sure, you've got the Rock and Batista now, but during the 80s, the business was still an oddity. It was a culture within itself. Then came the boom of the World Wrestling Federation (now WWE). Their rise was a swift one, but it could not have come without stars. And in the 80s—even into the late 90s—there was no bigger star than Hulk Hogan.
In the early 80s, Hogan had appeared in the box office behemoth Rocky III as "Thunder Lips" and even graced the cover of Sports Illustrated. He was a face recognizable to not only fans, but general audiences.
Thus, in 1989, Hogan was catapulted into his first starring role on the big screen No Holds Barred. The movie was a modest hit, grossing over $16 million on an $8 million budget. Its success, though, came with notoriety; enough that Hogan would be selected for another high profile part—that of Shep Ramsey in Suburban Commando. 
Unlike his previous film, Suburban Commando—a fish out of water tale of an intergalactic warrior forced into a vacation on earth—failed to make a profit, grossing only $8 million on a budget of $11. Despite its earned infamy as a flop, its a movie that must be seen; it's an unapologetic, ridiculous B-movie that works simply because of how committed Christopher Lloyd (Doc Brown from Back to the Future) is to the shtick.
I can't say that you'll love it, but you'll sure find plenty to laugh at (a good bit of it unintentionally)—Shep punching a mime, skateboarding in Zubaz, and engaging in a clash with a yet to premiere in the WWE Undertaker included.
So sit back, grab a spare vial of anti-freeze, and enjoy as I, the Thunderous Wizard (@WriterTLK), and the Irate Lover embark on a podcasting adventure to not only save the neighborhood, but the galaxy at large.
This Week's Segments:
Introduction – Our general reaction to the film and lingering questions we have. (00:00)
“Am I full of s**t or not?” – The Irate Lover attempts to debunk or confirm facts I discovered while investigating the interwebs. (38:33)
Recasting Suburban Commando – We recast this amazing film, replacing all the major roles with Oscar winners. (52:54)
Six Degrees of Movie Separation – The Irate Lover gives me two actors, and I have to connect them in six degrees or less. I rebuffed his challenge three times in this episode. (1:06:56)
Recommendations – We offer up our recommendations for the week—both what to avoid and what to stream. (1:11:00)
And, as always, hit us up on Twitter (@HopsandBOFlops) to check out all the interesting factoids—the video game, the unbelievable theme song and so much more—from this week’s episode!

Major League II – There’s a Mediocre Moon Rising on the Cuyahoga River

Major League II is not a terrible movie. It certainly is a derivative one, though. It never really has its own story to tell. The plucky and charismatic underdogs from the first film return, mostly, but their journey here has nothing to say. They stink, and it’s up to Jake Taylor—in a managerial role this time—to figure out why.
For a team that is only a year removed from advancing to the American League Championship Series (ALCS), their struggles never feel earned. And the fact that their greatest tribulation—a loss to their new rival, the Chicago White Sox, in the ALCS—occurs offscreen only cheapens that lack of authenticity. There was a spirit to the first film. An energy. You pull for that team because they are expected to lose. It’s much harder to rally behind a group that is expected to win.
The similarities between this team’s plight and that of the first is inherently an underlying issue with sports sequels. They inevitably have to overcome the same circumstances that plagued them the first time. Sure, there is some fun to be found—the intense samurai spirit infused by Japanese acquisition Isuro Tanaka, the delightfully over-the-top trailer for Willie Mays Hayes’ action extravaganza Black Hammer & White Lighting, and a sheepish Roger Dorn moonlighting as a utility player/GM; it’s just too often lost amongst the haze of a tired script, overwrought with clichés and recycled humor.
I mean, there’s a reason that we’re covering this one, while its predecessor is making a much overdo appearance on The Rewatchables, so sit back, grab a double shot of Jobu’s special rum, and enjoy as I, the Thunderous Wizard (@WriterTLK), and the Irate Lover (who happens to love this movie) take you to the wonderous sites of Cleveland—city of light, city of magic—for the dismal second season to what had been the perfect Cinderella story.
This Week's Segments:
Introduction – Our general reaction to the film and lingering questions we have. (00:00)
“Am I full of s**t or not?” – The Irate Lover attempts to debunk or confirm facts I discovered while investigating the interwebs. (49:32)
The Scale – Where does Jack Parkman rank on the Most Toxic Teammates Scale? (59:35)
Upgrade/Downgrade – We assess whether or not the insertion of Omar Epps in place of Wesley Snipes was an upgrade or downgrade. (1:08:30)
In addition, I’ve assembled four other famous instances of actors stepping into a role for the sequel to a hit movie.
Recommendations – We offer up our recommendations for the week and dive into a spoiler-filled discussion about Netflix’s Triple Frontier (the spoilers close out the episode). (1:21:30)
And, as always, hit us up on Twitter (@HopsandBOFlops) to check out all the interesting factoids from this week’s episode!

Batman & Robin – The Iceman Cometh! But Not for the Box Office Receipts

In 1995, a revamped and reformatted Batman made his comeback to the big screen in Batman Forever, a film that presented a stark contrast to the grim Gotham of Tim Burton’s Batman and Batman Returns. It was a campier—and certainly more kid friendly—take on the “Caped Crusader.” That, in and of itself, means almost nothing. What mattered was the movie was a huge hit, grossing over $184 million at the domestic box office and besting the diminishing profits of Returns. Thus, the natural course was to green light a sequel and fast.
Batman & Robin was set for release just two years (nearly to the day) after Forever, a tall order considering the size and scope of a typical summer blockbuster. Joel Schumacher—who’d helmed its predecessor—would again direct. Shockingly, despite the truncated production time, it filmed without a hitch. There weren’t problems behind-the-scenes, but upon release, they were very apparent ones on the screen. Instead of harnessing what worked about Forever—however little that actually was—the filmmakers opted to double down on the camp, skimp on the importance of plot, and jam the film with frivolous closeups of bat gadgets and body parts. Like Mr. Freeze himself, the heart of this movie is just a cold lump, staggering its way through a runtime that—even at just two hours—feels bloated.
Alas, this diatribe is more than reflective waxing. Batman & Robin bombed. Cinema goers were not interested in its dogged insistence to sell them toys. As a result—in addition to its infamous place in Batman lore—it’s the lowest grossing live action Batman movie to date, garnering just $107 million at the domestic box office and floundering just as much worldwide (it only made $238 million, almost $100 million less than Forever).
Yet, knowing all of this, it’s still something you must see. It’s the Titanic drifting toward the iceberg. You know it’s going to be bad, but you can’t look away. Why deny yourself the pleasure of watching it with wide-eyed bewilderment? As Mr. Freeze once so eloquently said, “Chill” — sit back, grab an icy, cold beer, and enjoy as I, the Thunderous Wizard (@WriterTLK), and the Irate Lover don our rubber bat nipples and soldier headlong into the blizzard of bad puns.
And, as always, hit us up on Twitter (@HopsandBOFlops) to check out all the interesting Bat-nuggets from this week’s episode!

The Last Stand – A New Sheriff's in Town, But It Ain't Arnold

From 2003 to 2011, the action world mourned. The King—Conan, John Matrix, the T-800—had officially relinquished his crown. The fabled Terminator had transitioned to Governator. Instead of hunting down Sarah Connor with no remorse or reservations, he was balancing budgets and removing soda pop from school vending machines.
In the halls of my house, those were dark days. A cinema landscape sans-the hulking presence of Arnold Schwarzenegger was not one I wanted to experience. But then, he returned. His term was up; it was time to come home—to return to the industry that had made him such an American Dream success story. His big comeback vehicle: The Last Stand, a homage to old school westerns that featured Arnold as a grizzled sheriff who’d do anything to protect his turf. On paper, it looked like a can’t miss equation. Arnold, an escaped cartel boss, a showdown with longs odds in the middle of a desert town, and bullets by the dozen: What’s not to love?
Sadly, though, things had changed in his years as a public servant. The action movies of yore had given way to a new breed of spectacle. Super Heroes were the champions of the day. *Movies rife with computer generated effects lorded over those that brought a more grounded, gritty feel. The once iconic, muscle-bound everyman couldn't hold a candle to the fantastical feats of those with powers that defied imagination.
Thus, with Arnold set to appear in his first starring role in 10 years (since Terminator 3: Rise of the Machines), the chips had been stacked against him, and it was an obstacle he could not overcome. Despite having historically survived shootouts and throwdowns where the odds were almost never in his favor, he could not best the shifting dynamics of the box office. The Last Stand, decently reviewed and a hell of a good time at the theater, was a bomb. My heart still weeps.
Regardless, it’s a film I recommend with enthusiasm, so sit back, grab a beer, and enjoy as I, the Thunderous Wizard (@WriterTLK), and the Irate Lover take you to the sleepy streets of Sommerton Junction, a place where you best not mess with the sheriff!
As always be sure to check our Twitter (@HopsandBOFlops) for notes from the show—trailers, factoids, and other fun links. 
*This is a theme we also explored when Jurassic Park devoured Last Action Hero at the box office. Listen to that episode.

Part Two of the Epic Science Fiction/Fantasy Film March Madness Showdown

Every March, there is a basketball tournament that I never watch. To celebrate said tournament, I—the Thunderous Wizard (@WriterTLK)—and a special guest co-host filled out i09's Best Sci-Fi/Fantasy film of the last decade bracket. Going matchup by matchup, we broke down who we chose and why, eventually crowning an overall winner per region.
In this episode—the second of two—we discussed the right side of the bracket (the number one seeds were Arrival and Attack the Block). We also dove into the Final Four and crowned an overall champion. 
Unlike the other half of the bracket, this side saw some real deviation in our picks.
As always, hit us up on Twitter (@HopsandBOFlops) to tell us why you agreed/disagreed with our choices or to even just continue the debate!
This special, and impromptu, two-parter was one wild ride!
Listen to Part One